Detroit cop Orin Byrd (Steven Seagal) plays by his own rules. He knows what's right and what's wrong, and like Clint Eastwood's Harry Callahan, he doesn't mind leaving a little destruction in his wake as long as he gets the job done. But after saving the vice president from a militia group in a high-tech bridge battle that features the requisite car explosions and plenty of fancy weaponry, he gets busted down to a low-rent neighborhood where he is soon playing crossing guard. But he has a nose for trouble, so when he begins to suspect that some of the cops in his department are getting down and dirty with drug kingpin Latrell Walker (DMX), he is ready to take action--even if he has to go it alone, against the orders of his commander (Jill Hennessy). Cinematographer-turned-director Andrzej Bartkowiak (ROMEO MUST DIE) shows off his keen eye in EXIT WOUNDS as Seagal and DMX battle it out on the Detroit streets. The pounding hip-hop soundtrack (featuring a number of contributions from DMX and Drag-On, who also appears in the film) and fabulous stunts, keep the excitement moving at a fast pace as the corruption--and the body count--continues to mount. But Anthony Anderson, playing Walker's right-hand man, T.K., nearly walks away with the film, supplying comic relief even through much of the closing credits.
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Exit Wounds
